upic - graphic interfaces for notation conference
colloquia

The ZKM | Center for Art and Media  and Centre Iannis Xenakis (CIX), affiliate partner of the Interfaces Project are organizing a two-day artistic-scientific symposium to explore current approaches and contemporary trends in the field of graphic notation for parameter generation for musical compositions.

In the late 1970s, composer Iannis Xenakis developed UPIC (Unité Polyagogique Informatique de CEMAMu, Centre d'Études de Mathématique et Automatique Musicales), a computer program that digitally translates graphic notation into sound. Using the tablet interface, composers can draw the waveforms and envelopes directly on an electronic tablet and the computer converts them into sound in real time. Drawing thereby become the vehicle of both the micro- and macro- structure of a musical work. The revolution in graphic composition triggered by Xenakis and supported by other established computer musicians such as Jean-Claude Risset or Curtis Roads continues forty years later thanks to modern computer programs, such as the graphic open source sequencer »Iannix«.

Artists as well as musicologists will resituate the »UPIC« in both an historical and cultural context and also discuss the state-of-the-art in the field of electroacoustic sonifications of graphic notations in lectures, a panel discussion and a concert. The symposium will also serve to prepare a book publication planned for 2019 at the ZKM in cooperation with the Centre Iannis Xenakis.

-->see here the full programme!

28-29 September 2018
ZKM Karlsruhe, Germany,
Lecture Hall, Cube
Free entry

In collaboration with:
Centre Iannis Xenakis
http://www.centre-iannis-xenakis.org/

organised by:
ZKM | Zentrum für Kunst und Medientechnologie
http://zkm.de